In this section you will find all the 78rpm original records released by the labels Billie was under contract, organized by label name. It covers the period 1933 – 1954.
TABLE OF LABELS |
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Abbreviations |
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MT – Master Takes. First column represent the chronological sequence of recording dates. |
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LR – Live Recording (there are only 3 live trackings originally recorded in 78rpm) |
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Rec Date – Recording Date (when they have been taped) |
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RD – Disc release date (when they were distributed) |
LABEL INDEX
ALADDIN
Aladdin Records was founded in 1945 by the Mesner brothers with headquarters in Hollywood, CA. Originally called Philo Records, changed to its better-known name in April 1946. Aladdin was known for its wealth of recordings of rhythm & blues and early rock & roll music; it also recorded some jazz sessions. It was virtually devoted to black music.
The label was sold to Imperial Records in 1961 and is today owned by Capitol Records. (Wikipedia)
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
215 | Be Fair With Me Baby | MT | 04/29/51 | Alladin 3094 | 1951 |
218 | Detour Ahead | MT | 04/29/51 | Alladin 3094 | 1951 |
216 | Rocky Mountain Blues | MT | 04/29/51 | Alladin 3102 | 1951 |
217 | Blue Turning Grey Over You | MT | 04/29/51 | Alladin 3102 | 1951 |
images © Cross Taro Collection
BLUEBIRD
Bluebird Records is a sub-label of RCA Victor Records originally created in 1932 to counter the American Record Company in the “3 records for a dollar” market. Still active.
MT | Song Title | Rec Date | Orig. Vinyl Label | RD |
91 | Any Old Time | MT | 07/24/38 | Bluebird 7759 | 1938 |
images © Cross Taro Collection
The B side was recorded only by Artie Shaw Orchestra. Notice that Bluebird used two different logos.
BRUNSWICK
Records under the “Brunswick” label were first produced by the Brunswick-Balke-Collender Company and first began producing phonographs in 1916, then marketing their own line of records. In April 1930, Brunswick Records was sold to Warner Bros then in 1931 to American Record Corporation. ARC kept Brunswick as their flagship until 1939, when ARC was sold to CBS-Columbia Broadcast System.
Columbia discontinued Brunswick label in favor of their own Columbia, as well as OKeh replacing Vocalion, the cheaper ARC label. These two brands were reverted to Warner and sold to Decca in 1941 that revived Brunswick label in 1943.
Brunswick, series 7000
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
4 | What A Little Moonlight Can Do | MT | 07/02/35 | Brunswick 7498 | 1935 |
6 | A Sunbonnet Blue | MT | 07/02/35 | Brunswick 7498 | 1935 |
3 | I Wished on the Moon | MT | 07/02/35 | Brunswick 7501 | 1935 |
5 | Miss Brown To You | MT | 07/02/35 | Brunswick 7501 | 1935 |
7 | What A Nigth, What a Moon, What a Girl | MT | 07/31/35 | Brunswick 7511 | 1935 |
9 | It’s Too Hot for Words | MT | 07/31/35 | Brunswick 7511 | 1935 |
8 | I’m Painting the Town Red | MT | 07/31/35 | Brunswick 7520 | 1935 |
10 | Twenty-Four Hours a Day | MT | 10/25/35 | Brunswick 7550 | 1935 |
11 | Yankee Doodle Never Went to Town | MT | 10/25/35 | Brunswick 7550 | 1935 |
12 | Eeny Meeny Miney Mo | MT | 10/25/35 | Brunswick 7554 | 1935 |
13 | If You Were Mine | MT | 10/25/35 | Brunswick 7554 | 1935 |
14 | These ‘n’ That ‘n’ Those | MT | 12/03/35 | Brunswick 7577 | 1935 |
15 | You Let Me Down | MT | 12/03/35 | Brunswick 7581 | 1935 |
16 | Spreadin’ Rhythm Around | MT | 12/03/35 | Brunswick 7581 | 1935 |
17 | Life Begins When You’re in Love | MT | 01/30/36 | Brunswick 7612 | 1936 |
19 | These Foolish Things | MT | 06/30/36 | Brunswick 7699 | 1936 |
18 | It’s Like Reaching for the Moon | MT | 06/30/36 | Brunswick 7702 | 1936 |
21 | Guess Who | MT | 06/30/36 | Brunswick 7702 | 1936 |
20 | I Cried for You | MT | 06/30/36 | Brunswick 7729 | 1936 |
30 | Easy to Love | MT | 10/21/36 | Brunswick 7762 | 1936 |
32 | The Way You Look Tonight | MT | 10/21/36 | Brunswick 7762 | 1936 |
31 | With Thee I Swing | MT | 10/21/36 | Brunswick 7768 | 1936 |
33 | Who Loves You? | MT | 10/28/36 | Brunswick 7768 | 1936 |
36 | I Can’t Give You Anything But Love, Baby | MT | 11/19/36 | Brunswick 7781 | 1936 |
34 | Pennies from Heaven | MT | 11/19/36 | Brunswick 7789 | 1936 |
35 | That’s Life I Guess | MT | 11/19/36 | Brunswick 7789 | 1936 |
41 | He Ain’t Got Rhythm | MT | 01/25/37 | Brunswick 7824 | 1937 |
42 | This Year’s Kisses | MT | 01/25/37 | Brunswick 7824 | 1937 |
46 | You Showed Me the Way | MT | 02/18/37 | Brunswick 7840 | 1937 |
48 | My Last Affair (This Is) | MT | 02/18/37 | Brunswick 7840 | 1937 |
45 | The Mood That I’m In | MT | 02/18/37 | Brunswick 7844 | 1937 |
47 | Sentimental and Melancholy | MT | 02/18/37 | Brunswick 7844 | 1937 |
43 | Why Was I Born? | MT | 01/25/37 | Brunswick 7859 | 1937 |
44 | I Must Have That Man | MT | 01/25/37 | Brunswick 7859 | 1937 |
49 | Carelessly | MT | 03/31/37 | Brunswick 7867 | 1937 |
50 | How Could You? | MT | 03/31/37 | Brunswick 7867 | 1937 |
51 | Moanin’ Low | MT | 03/31/37 | Brunswick 7877 | 1937 |
58 | I’ll Get By | MT | 05/11/37 | Brunswick 7903 | 1937 |
59 | Mean to Me | MT | 05/11/37 | Brunswick 7903 | 1937 |
60 | Foolin’ Myself | MT | 06/01/37 | Brunswick 7911 | 1937 |
61 | Easy Living | MT | 06/01/37 | Brunswick 7911 | 1937 |
56 | Sun Showers | MT | 05/11/37 | Brunswick 7917 | 1937 |
57 | Yours and Mine | MT | 05/11/37 | Brunswick 7917 | 1937 |
62 | I’ll Never Be the Same | MT | 06/01/37 | Brunswick 7926 | 1937 |
Brunswick series 8000
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
73 | My Man (Mon Homme) | MT | 11/01/37 | Brunswick 8008 | 1937 |
74 | Can’t Help Lovin’ Dat Man | MT | 11/01/37 | Brunswick 8008 | 1937 |
71 | Nice Work If You Can Get It | MT | 11/01/37 | Brunswick 8015 | 1937 |
72 | Things Are Looking Up | MT | 11/01/37 | Brunswick 8015 | 1937 |
75 | My First Impression of You | MT | 01/06/38 | Brunswick 8053 | 1938 |
78 | If Dreams Come True | MT | 01/06/38 | Brunswick 8053 | 1938 |
76 | When You’re Smiling | MT | 01/06/38 | Brunswick 8070 | 1938 |
77 | I Can’t Believe That You’re in Love With Me | MT | 01/06/38 | Brunswick 8070 | 1938 |
96 | Everybody’s Laughing | MT | 10/31/38 | Brunswick 8259 | 1938 |
97 | Here It Is Tomorrow Again | MT | 10/31/38 | Brunswick 8259 | 1938 |
99 | April in My Heart | MT | 11/09/38 | Brunswick 8265 | 1938 |
100 | I’ll Never Fail You | MT | 11/09/38 | Brunswick 8265 | 1938 |
98 | Say It with a Kiss | MT | 11/09/38 | Brunswick 8270 | 1938 |
101 | They Say | MT | 11/09/38 | Brunswick 8270 | 1938 |
103 | You’re Gonna See a Lot of Me | MT | 11/28/38 | Brunswick 8281 | 1938 |
104 | Hello My Darling | MT | 11/28/38 | Brunswick 8281 | 1938 |
102 | You’re So Desirable | MT | 11/28/38 | Brunswick 8283 | 1938 |
105 | Let’s Dream in the Moonlight | MT | 11/28/38 | Brunswick 8283 | 1938 |
108 | What Shall I Say? | MT | 01/30/39 | Brunswick 8314 | 1939 |
109 | It’s Easy to Blame the Weather | MT | 01/30/39 | Brunswick 8314 | 1939 |
110 | More Than You Know | MT | 01/30/39 | Brunswick 8319 | 1939 |
111 | Sugar | MT | 01/30/39 | Brunswick 8319 | 1939 |
images © Cross Taro Collection
CAPITOL
The Company was founded in Los Angeles by songwriter Johnny Mercer in 1942. On June 5, 1942, Paul Whiteman and his Orchestra recorded four sides. On June 12, the orchestra recorded five more, including one with Billie Holiday. Still active.
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
160 | Trav’lin’ Light | MT | 06/12/42 | Capitol Records 116 | 1942 |
This is the only side Billie recorded with Paul Whiteman. The other side is just instrumental.
CLEF
Clef Records was formed in 1948 in California by Norman Granz. Originally associated with Aladdin Records (see above) became independent in the early fifties. Clef recorded jazz and popular music and was discontinued in 1957 when newly founded Norman Granz’s Verve Records became the dominant label in the jazz scene.
Clef-Mercury
Mercury Record Corporation was formed in Chicago in 1945. Its jazz division had two distinct and important fathers. John Hammond brought his expertise and connections when Mercury bought Keynote Records in the late 1940s. And Mercury was the issuing company and distributor for Norman Granz’s pre-Norgran/Verve recordings, including Clef. Therefore, sometimes certain titles were released by both labels.
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
225 | I Only Have Eyes for You | MT | 04/27/52 | Clef-Mercury 89002 | 1952 |
224 | These Foolish Things | MT | 04/26/52 | Clef-Mercury 89002 | 1952 |
223 | Easy to Love | MT | 04/25/52 | Clef-Mercury 89003 | 1952 |
222 | You Turned the Tables on Me | MT | 04/24/52 | Clef-Mercury 89003 | 1952 |
220 | Blue Moon | MT | 04/22/52 | Clef-Mercury 89004 | 1952 |
221 | You Go To My Head | MT | 04/23/52 | Clef-Mercury 89004 | 1952 |
219 | East of the Sun | MT | 04/21/52 | Clef-Mercury 89005 | 1952 |
226 | Solitude | MT | 04/28/52 | Clef-Mercury 89005 | 1952 |
235 | Lover Come Back To Me | MT | 07/27/52 | Clef-Mercury 89037 | 1952 |
237 | Yesterdays | MT | 07/27/52 | Clef-Mercury 89037 | 1952 |
images © Cross Taro Collection
Clef
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
236 | Stormy Weather | MT | 07/27/52 | Clef 89064 | 1952 |
230 | Tenderly | MT | 05/02/52 | Clef 89064 | 1952 |
238 | He’s Funny That Way | MT | 07/27/52 | Clef 89089 | 1952 |
234 | My Man (Mon Homme) | MT | 07/27/52 | Clef 89089 | 1952 |
239 | I Can’t Face the Music | MT | 07/27/52 | Clef 89096 | 1952 |
232 | Remember | MT | 05/04/52 | Clef 89096 | 1952 |
233 | Autumn in New York | MT | 05/05/52 | Clef 89108 | 1952 |
231 | If the Moon Turns Green | MT | 05/03/52 | Clef 89108 | 1952 |
240 | How Deep Is the Ocean? | MT | 04/14/54 | Clef 89132 | 1954 |
241 | What A Little Moonlight Can Do | MT | 04/14/54 | Clef 89132 | 1954 |
249 | Stormy Blues | MT | 09/03/54 | Clef 89141 | 1954 |
248 | Willow Weep For Me | MT | 09/03/54 | Clef 89141 | 1954 |
247 | I Thought About You | MT | 09/03/54 | Clef 89150 | 1954 |
243 | Love Me or Leave Me | MT | 09/03/54 | Clef 89150 | 1954 |
images © Cross Taro Collection
(Clef 89132 not available)
COLUMBIA
A premier recording label, the Columbia Phonograph Company was originally the local company run by Edward Easton, distributing and selling Edison phonographs and phonograph cylinders in Washington, D.C., Maryland and Delaware, and derives its name from the District of Columbia, which was its headquarters.
The 78rpm era – On February 25, 1925, Columbia began recording with the new electricrecording process licensed from Western Electric. The new “Viva-tonal” records set a benchmark in tone and clarity unequaled on commercial discs during the “78-rpm” era. In 1926, Columbia acquired OKeh Records and its growing stable of jazz and blues artists.
In 1923 the company was sold to its subsidiary in UK; that in 1931 merged in a new venture called EMI and was forced to sell its American operations to Majestic Radio. At that time, the company in great decline was still producing remarkable records, specially those producued by John Hammond. Those were the days when Billie, under Hammond lead, recorded her first 78rpm in Columbia (see that chapter). However, in 1934 the company was sold to ARC – American Record Corporation. ARC premium label was Brunswick, followed by Vocalion – and this relegated Columbia as a third-class label.
The LP era – In 1938 ARC was bought by CBS – Columbia Broadcast System (curiously co-founded in 1927 by Columbia Records that soon left the society). CBS revived Columbia as its premium label over Brunswick and OKeh over Vocalion. In 1948 Columbia introduced the Long Playing “microgroove” LP record format which rotated at 33⅓ revolutions per minute, to be the standard for the gramophone record for half a century. First Billie album for Columbia was the 10-inch Favourites in 1950.
CBS sold its recording division to Sony in 1988, where Columbia Records remains a premier label.
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
1 | Your Mother’s Son-In-Law | MT | 11/27/33 | Columbia 2856D | 1933 |
2 | Riffin’ the Scotch | MT | 12/18/33 | Columbia 2867D | 1933 |
116 | Long Gone Blues | MT | 03/21/39 | Columbia 37586 | 1941 |
150 | Am I Blue? | MT | 05/09/41 | Columbia 37586 | 1941 |
153 | I Cover The Waterfront | MT | 08/07/41 | Columbia 37493 | 1942 |
159 | Until the Real Thing Comes Along | MT | 02/10/42 | Columbia 37493 | 1942 |
images © Cross Taro Collection
Note: the B-sides of 2856D and 2867D are solo instrumental, by Benny Goodman.
COMMODORE
Commodore Records was founded in the spring of 1938 by Milt Gabler in NYC.
After World War II Gabler went to work for Decca Records, and his Commodore label was later used by Decca for reissuing earlier jazz recordings on LP. In the early 1960s a series of Commodore albums were compiled by Gabler and part of the Mainstream label.
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
119 | Fine And Mellow | MT | 04/20/39 | Commodore C-526 | 1939 |
117 | Strange Fruit | MT | 04/20/39 | Commodore C-526 | 1939 |
120 | I Gotta Right To Sing the Blues | MT | 04/20/39 | Commodore C-527-A | 1939 |
118 | Yesterdays | MT | 04/20/39 | Commodore C-527-B | 1939 |
165 | I’ll Be Seeing You | MT | 04/01/44 | Commodore C-553 | 1944 |
163 | I’ll Get By | MT | 03/25/44 | Commodore C-553 | 1944 |
164 | I Cover The Waterfront | MT | 03/25/44 | Commodore C-559 | 1944 |
170 | Lover Come Back To Me | MT | 04/08/44 | Commodore C-559 | 1944 |
169 | He’s Funny That Way | MT | 04/08/44 | Commodore C-569 | 1944 |
161 | How Am I to Know | MT | 03/25/44 | Commodore C-569 | 1944 |
166 | I’m Yours | MT | 04/01/44 | Commodore C-585 | 1944 |
162 | My Old Flame | MT | 03/25/44 | Commodore C-585 | 1944 |
171 | Billie’s Blues (I Love My Man) | MT | 04/08/44 | Commodore C-614 | 1944 |
172 | On The Sunny Side of The Street | MT | 04/08/44 | Commodore C-614 | 1944 |
168 | As Time Goes By | MT | 04/01/44 | Commodore S 7520 | 1944 |
167 | Embraceable You | MT | 04/01/44 | Commodore S 7520 | 1944 |
images © Cross Taro Collection
DECCA
Decca Records began as a British record label established in 1929. Its U.S. label was established in 1934. American Decca embraced the new post-war record formats adopting the LP in 1949. They merged with MCA in 1962.
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
175 | Lover Man (Oh, Where Can You Be?) | MT | 10/04/44 | Decca Records 23391 | 1944 |
177 | That Old Devil Called Love | MT | 11/08/44 | Decca Records 23391 | 1944 |
182 | You Better Go Now | MT | 08/14/45 | Decca Records 23483 | 1945 |
180 | Don’t Explain | MT | 08/14/45 | Decca Records 23565 | 1945 |
183 | What Is This Thing Called Love | MT | 08/14/45 | Decca Records 23565 | 1945 |
184 | Good Morning Heartache | MT | 01/22/46 | Decca Records 23676 | 1946 |
185 | No Good Man | MT | 01/22/46 | Decca Records 23676 | 1946 |
187 | Big Stuff | MT | 03/13/46 | Decca Records 23463 | 1946 |
176 | No More (You Ain’t Gonna Bother Me) | MT | 10/04/44 | Decca Records 23483 | 1946 |
188 | Baby, I Don’t Cry over You | MT | 04/09/46 | Decca Records 23957 | 1946 |
189 | I’ll Look Around | MT | 04/09/46 | Decca Records 23957 | 1946 |
192 | Deep Song | MT | 02/13/47 | Decca Records 24138 | 1947 |
194 | Easy Living | MT | 02/13/47 | Decca Records 24138 | 1947 |
195 | Solitude | MT | 02/13/47 | Decca Records 23853 | 1947 |
193 | There Is No Greater Love | MT | 02/13/47 | Decca Records 23853 | 1947 |
197 | Girls Were Made to Take Care of Boys | MT | 12/10/48 | Decca Records 24551 | 1949 |
196 | Weep No More | MT | 12/10/48 | Decca Records 24551 | 1949 |
199 | My Man (Mon Homme) | MT | 12/10/48 | Decca Records 24638 | 1949 |
198 | Porgy (I Love You) | MT | 12/10/48 | Decca Records 24638 | 1949 |
200 | Ain’t Nobody’s Business If I Do | MT | 08/17/49 | Decca Records 24726 | 1949 |
201 | Baby Get Lost | MT | 08/17/49 | Decca Records 24726 | 1949 |
207 | My Sweet Hunk of Trash | MT | 09/30/49 | Decca Records 24785 | 1949 |
206 | You Can’t Lose A Broken Heart | MT | 09/30/49 | Decca Records 24785 | 1949 |
210 | Crazy He Calls Me | MT | 10/19/49 | Decca Records 24796 | 1949 |
209 | You’re My Thrill | MT | 10/19/49 | Decca Records 24796 | 1949 |
211 | Please Tell Me Now | MT | 10/19/49 | Decca Records 24857 | 1950 |
212 | Somebody’s on My Mind | MT | 10/19/49 | Decca Records 24857 | 1950 |
205 | Gimme a Pigfoot And a Bottle of Beer | MT | 09/08/49 | Decca Records 24947 | 1950 |
208 | Now Or Never | MT | 09/30/49 | Decca Records 24947 | 1950 |
213 | God Bless the Child | MT | 03/08/50 | Decca Records 24972 | 1950 |
214 | This Is Heaven to Me | MT | 03/08/50 | Decca Records 24972 | 1950 |
202 | Keeps On A Rainin’ | MT | 08/29/49 | Decca Records 27145 | 1950 |
203 | Them There Eyes | MT | 08/29/49 | Decca Records 27145 | 1950 |
204 | Do Your Duty | MT | 09/08/49 | Decca Records 48259 | 1951 |
190 | The Blues Are Brewin’ | MT | 12/27/46 | Decca Records 48259 | 1951 |
images © Cross Taro Collection
HARMONY
Harmony Records was a label owned by Columbia Records. It was originally used as a label for low-price 78 rpm records in the 1920s and 1930s; subsequently it was revived as a label for budget albums of reissued tracks during the 1950s with nine or ten songs per album. The label was most active during the 1960s and Columbia continued to issue new repackages on the label into the mid-1970s.
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
158 | It’s a Sin to Tell a Lie | MT | 02/10/42 | Harmony 1075 | 1942 |
156 | Wherever You Are | MT | 02/10/42 | Harmony 1075 | 1942 |
images © Cross Taro Collection
OKEH
Okeh Records (rendered by Sony Music as “OKeh”) began as the Otto Heinemann Phonograph Corp., a supplier of phonographs based in the United States of America in 1916, branching out into phonograph records in 1918. From 1926 on, it became a subsidiary of Columbia Records.
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
135 | Laughing at Life | MT | 06/07/40 | OKeh 5719 | 1940 |
134 | Tell Me More | MT | 06/07/40 | OKeh 5719 | 1940 |
139 | It’s The Same Old Story | MT | 09/12/40 | OKeh 5806 | 1940 |
140 | Practice Makes Perfect | MT | 09/12/40 | OKeh 5806 | 1940 |
138 | I Hear Music | MT | 09/12/40 | OKeh 5831 | 1940 |
137 | I’m All for You | MT | 09/12/40 | OKeh 5831 | 1940 |
133 | I’m Pulling Through | MT | 06/07/40 | OKeh 5991 | 1940 |
136 | Time on My Hands | MT | 06/07/40 | OKeh 5991 | 1940 |
142 | Loveless Love | MT | 10/15/40 | OKeh 6064 | 1940 |
141 | St. Louis Blues | MT | 10/15/40 | OKeh 6064 | 1940 |
144 | Georgia on My Mind | MT | 03/21/41 | OKeh 6134 | 1941 |
143 | Let’s Do It | MT | 03/21/41 | OKeh 6134 | 1941 |
146 | All of Me | MT | 03/21/41 | OKeh 6214 | 1941 |
145 | Romance in the Dark | MT | 03/21/41 | OKeh 6214 | 1941 |
149 | God Bless the Child | MT | 05/09/41 | OKeh 6270 | 1941 |
151 | Solitude | MT | 05/09/41 | OKeh 6270 | 1941 |
152 | Jim | MT | 08/07/41 | OKeh 6369 | 1941 |
154 | Love Me or Leave Me | MT | 08/07/41 | OKeh 6369 | 1941 |
155 | Gloomy Sunday | MT | 08/07/41 | OKeh 6451 | 1941 |
148 | I’m in a Low-Down Groove | MT | 05/09/41 | OKeh 6451 | 1941 |
images © Cross Taro Collection
V DISC
The V-Disc project actually began in June 1941, six months before the United States’ involvement in World War II, when Captain Howard Bronson was assigned to the Army’s Recreation and Welfare Section as a musical advisor. Bronson suggested the troops might appreciate a series of records featuring military band music, inspirational records that could motivate soldiers and improve morale. By 1942, the Armed Forces Radio Service (AFRS) sent discs to the troops from eight sources: special recording sessions, concerts, recitals, radio broadcasts, film sound tracks and commercial records. “V” stands for Victory.
These 78rpm discs were manufactured with some special features.The diameter was increased to 12″ instead of the usual 10″ so as to allow reproduction of classical music and the press material used in most discs was vinyl instead of shellac, fragile material that could not withstand the distribution operation.
Eleven BH songs were issued in seven V-discs. However, I will just list five of them (in four discs) as this page is dedicated only to 78rpm original records (other were reissues). All of them were from live recordings.
LR | Song Title | Rec Date | Orig. Vinyl Label | RD |
14 | Billie’s Blues (I Love My Man) | LR | 01/18/44 | V-Disc 248 A | 1944 |
15 | Do Nothin’ Till You Hear From Me | LR | 01/18/44 | V-Disc 672 A1 | 1944 |
16 | I’ll Get By | LR | 01/18/44 | V-Disc 672 A2 | 1944 |
41 | Do You What It Means To Miss New Orleans | LR | 02/08/47 | V-Disc 760 A | 1947 |
42 | Don’t Explain | LR | 02/08/47 | V-Disc 771 B | 1947 |
images © Cross Taro Collection
VOCALION
Vocalion was founded in 1916 by the Aeolian Piano Company of New York City, which introduced a retail line of phonographs at the same time. In 1925 the label was acquired by Brunswick Records who used it in its portfolio as a cheaper label. In April 1930, Brunswick Records was sold to Warner Bros then in 1931 to American Record Corporation. ARC kept Brunswick as their flagship until 1939, when ARC was sold to CBS-Columbia Broadcast System.
Columbia discontinued Brunswick label in favor of their own Columbia, as well as OKeh replacing Vocalion, the cheaper ARC label. These two brands were reverted to Warner and sold to Decca in 1941 that revived Brunswick label in 1943.
Vocalion 3000 series
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
22 | Did I Remember? | MT | 07/10/36 | Vocalion 3276 | 1936 |
23 | No Regrets | MT | 07/10/36 | Vocalion 3276 | 1936 |
24 | Summertime | MT | 07/10/36 | Vocalion 3288 | 1936 |
25 | Billie’s Blues (I Love My Man) | MT | 07/10/36 | Vocalion 3288 | 1936 |
26 | A Fine Romance | MT | 09/29/36 | Vocalion 3333 | 1936 |
27 | I Can’t Pretend | MT | 09/29/36 | Vocalion 3333 | 1936 |
28 | One, Two, Button Your Shoe | MT | 09/29/36 | Vocalion 3334 | 1936 |
29 | Let’s Call a Heart a Heart | MT | 09/29/36 | Vocalion 3334 | 1936 |
37 | One Never Knows, Does One? | MT | 01/12/37 | Vocalion 3431 | 1937 |
38 | I’ve Got My Love to Keep Me Warm | MT | 01/12/37 | Vocalion 3431 | 1937 |
39 | If My Heart Could Only Talk | MT | 01/12/37 | Vocalion 3440 | 1937 |
40 | Please Keep Me in Your Dreams | MT | 01/12/37 | Vocalion 3440 | 1937 |
53 | Let’s Call the Whole Thing Off | MT | 04/01/37 | Vocalion 3520 | 1937 |
54 | They Can’t Take That Away from Me | MT | 04/01/37 | Vocalion 3520 | 1937 |
52 | Where Is the Sun? | MT | 04/01/37 | Vocalion 3543 | 1937 |
55 | I Don’t Know If I’m Coming or Going | MT | 04/01/37 | Vocalion 3543 | 1937 |
63 | Me, Myself and I | MT | 06/15/37 | Vocalion 3593 | 1937 |
66 | Without Your Love | MT | 06/15/37 | Vocalion 3593 | 1937 |
64 | A Sailboat in the Moonlight | MT | 06/15/37 | Vocalion 3605 | 1937 |
65 | Born to Love | MT | 06/15/37 | Vocalion 3605 | 1937 |
67 | Getting Some Fun out of Life | MT | 09/13/37 | Vocalion 3701 | 1937 |
68 | Who Wants Love? | MT | 09/13/37 | Vocalion 3701 | 1937 |
70 | He’s Funny That Way | MT | 09/13/37 | Vocalion 3748 | 1937 |
69 | Trav’lin’ All Alone | MT | 09/13/37 | Vocalion 3748 | 1937 |
79 | Now They Call It Swing | MT | 01/12/38 | Vocalion 3947 | 1938 |
80 | On the Sentimental Side | MT | 01/12/38 | Vocalion 3947 | 1938 |
images © Cross Taro Collection
Vocalion 4000 series
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
81 | Back in Your Own Backyard | MT | 01/12/38 | Vocalion 4029 | 1938 |
82 | When a Woman Loves a Man | MT | 01/12/38 | Vocalion 4029 | 1938 |
83 | You Go To My Head | MT | 05/11/38 | Vocalion 4126 | 1938 |
84 | The Moon Looks Down and Laughs | MT | 05/11/38 | Vocalion 4126 | 1938 |
85 | If I Were You | MT | 05/11/38 | Vocalion 4151 | 1938 |
86 | Forget If You Can | MT | 05/11/38 | Vocalion 4151 | 1938 |
87 | Havin’ Myself a Time | MT | 06/23/38 | Vocalion 4208 | 1938 |
88 | Says My Heart | MT | 06/23/38 | Vocalion 4208 | 1938 |
89 | I Wish I Had You | MT | 06/23/38 | Vocalion 4238 | 1938 |
90 | I’m Gonna Lock My Heart | MT | 06/23/38 | Vocalion 4238 | 1938 |
94 | I’ve Got a Date with a Dream | MT | 09/15/38 | Vocalion 4396 | 1938 |
95 | You Can’t Be Mine | MT | 09/15/38 | Vocalion 4396 | 1938 |
92 | The Very Thought of You | MT | 09/15/38 | Vocalion 4457 | 1938 |
93 | I Can’t Get Started | MT | 09/15/38 | Vocalion 4457 | 1938 |
107 | Dream of Life | MT | 01/20/39 | Vocalion 4631 | 1939 |
106 | That’s All I Ask of You | MT | 01/20/39 | Vocalion 4631 | 1939 |
114 | Everything Happens for the Best | MT | 03/21/39 | Vocalion 4786 | 1939 |
113 | Under a Blue Jungle Moon | MT | 03/21/39 | Vocalion 4786 | 1939 |
115 | Why Did I Always Depend on You? | MT | 03/21/39 | Vocalion 4834 | 1939 |
112 | You’re Too Lovely to Last | MT | 03/21/39 | Vocalion 4834 | 1939 |
images © Cross Taro Collection
Vocalion 5000 series
MT | Song Title | T | Rec Date | Orig. Vinyl Label | RD |
121 | Some Other Spring | MT | 07/05/39 | Vocalion 5021 | 1939 |
123 | Them There Eyes | MT | 07/05/39 | Vocalion 5021 | 1939 |
122 | Our Love Is Different | MT | 07/05/39 | Vocalion 5129 | 1939 |
124 | Swing, Brother, Swing | MT | 07/05/39 | Vocalion 5129 | 1939 |
128 | You’re A Lucky Guy | MT | 12/13/39 | Vocalion 5302 | 1939 |
127 | You’re Just a No Account | MT | 12/13/39 | Vocalion 5302 | 1939 |
125 | Night and Day | MT | 12/13/39 | Vocalion 5377 | 1939 |
126 | The Man I Love | MT | 12/13/39 | Vocalion 5377 | 1939 |
130 | Body and Soul | MT | 02/29/40 | Vocalion 5481 | 1940 |
131 | What Is This Going to Get Us? | MT | 02/29/40 | Vocalion 5481 | 1940 |
129 | Ghost of Yesterday | MT | 02/29/40 | Vocalion 5609 | 1940 |
132 | Falling in Love Again | MT | 02/29/40 | Vocalion 5609 | 1940 |
images © Cross Taro Collection
© 2005-2017 www.billieholidaysongs.com – February 2017
Where would I purchase something like this. I am after Vocalion 4457 by Billie Holiday
Thanks
I am affraid I can not help you on this. Sorry
I have Billie holiday he´s funny that way/ How Am I To Know on the NEW YORK label (N.Y. 131)
Can you tell me anything about this recording on this label. I cannot find anything
David, first of all, I would like to say that am not at all an specialist in non-official or compilations records with Billie Holiday.
However, you mentioned two particular tracks that were not difficult for me to trace to the original C-569 Commodore 78 rpm disc with same songs issued in 1944 in US by Commodore. This was the label Billie choose to work for in that particular year, in between the previous Columbia and the following Decca contracts.
Commodore Records of course used the two Master Takes, numbered MT 161 and MT 169 in my work. However, they also recorded 3 alternate versions (AT) of “How am I” and 2 of “She´s Funny”.
It was quite common for the large studios to license the ATs to smaller record companies after some time, so this would be my guess. New York label would reproduce the original Commodore some years later.
I have done a brief research on internet about New York label, and it seems it was a private small label in Denmark in the early 1950s.
Hope that his was helpful to you.
All the best, Paulo
By the way: send me please images of New York bot sides for my collection. Tks